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What is your favorite genre and what are its biggest weaknesses?
| Leftfield Bass.
Lack of variety due to lack of producer caused by lack of popularity.
Also Riddim.
Too many shitty producers with copy-pasterino, non-existant sound design and creativity. But there are a select few godlike producer, and I pray they will pave the way.
| Neither of those genres are ones I'm really familiar with. I'll have to give a listen. Recommend me one of those godlike producers?
| Hi, im >>d42abc. Try searching for Division Recordings, or
Never Say Die : Black Label.
Ill tell you beforehand, its a taste very different from classical, though their creativity and potential may be up to par.
| Progressive rock.
10 minutes straight of instrumental wankery might not be for everyone I think.
| thrash and doom, and the amount of bad bands is too damn high
| Multiplayer fps and my teamates
| Synthwave and D'n'b.
They both have a rather specific gimmick that will eventually leave the artist out of options creatively.
| Metalcore has a lot of good bands, but it's biggest weakness is bands either going soft to become more popular and bands that abuse breakdowns because they don't know how to write songs
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| Prog rock. It's best music came out half a century ago and all of the new shit is just obsessed with being complicated and nothing else.
| Alternative / Indie
Innovation without real innovation, or one that matters.
| Probs Lo-Fi
Although the big downside's how much qualifies as lofi and how you really got to sift through a lot.
| I like math metal and breakcore.
Both are hard to get into, because of the ridiculous time signatures. The latter is horribly inconsistent in terms of its style
| Classic
It gets a lot of hate from other people and its quiet expensive to get live tickets for concerts.
And by he way
>>284697
I dont think it has limitations it is just a little bit outdated.
| Dubstep
Sadly most of it is pretty shit though
| Lofi/Vaporwave
A lot of it is kind of same-y and not very good, but the good stuff is good.
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| Classical.
Limitations on instrumentation. Synthesizers should become part of the orchestra. Movie soundtracks are catching on to this, but they are also very distanced nowadays from classical/romantic structure and core genre tenets.